
	Scientific notes of the Gnesins Russian Academy of Music Reference: Tatiana Tsaregradskaya Sekventsiya No 5 dlya trombona: Berio i Grock / Sequenza V for Trombone: Berio and Grock // Scientific notes of the Gnesins Russian Academy of Music. 2014. № 1. P. 24-34. URL: https://en.nbpublish.com/library_read_article.php?id=66100 Tatiana Tsaregradskaya Sekventsiya No 5 dlya trombona: Berio i Grock / Sequenza V for Trombone: Berio and Grock Abstract: The article is centered around an emblematic work of Luciano Berio — Sequenza V for trombone dedicated to the great clown of the first half of the 20th century Grock (real name — Ch.A. Wettach). By the choice of genre, instrument, elements of musical language and specific perfoming gestures Berio fulfils his aesthetic goal — the multivalence and “multilayerness” of the text that create the impression of unlimited shades of meaning in the music. Keywords: L. Berio; Grock; Sequenza No 5; trombone; theatricality of musical performance. This article can be downloaded freely in PDF format for reading. Download article This article written in Russian. You can find original text of the article here . References 1. Berio L. Poetika analiza / Per. T. Tsaregradskoy) // Uchenye zapiski Rossiyskoy akademii muzyki imeni Gnesinykh. 2012. № 2. S. 80—90. 2. Kirillina L. KhKh vek. Zarubezhnaya muzyka: Ocherki i dokumenty. Vyp. 2. M.: Muzyka, 1995. 3. Shklovskiy V.B. O rozhdenii i zhizni FEKS’ov // Nedobrovo V. FEKS. M.; L.: Kinopechat', 1928. 4. Berio L. Performance notes for Sequenza V for trombone solo. London: Universal Edition, 1968. 5. Berio L. Two interviews with Rossana Dalmonte and Balint Andras Varga / Translated and edited by D. Osmond-Smith. New York; London: Marion Boyars Publishers, 1985. 6. Berio L. Remembering the Future. Cambridge (Mass.): Harvard Univ. Press, 2006. 7. Crocker R.L., Coldwall J., Planchart A. Sequence (I) // The New Grove Dictionary of Music and Musicians. Vol. 23. London: Macmillan, 2001. P. 91—107. 8. Dack J. The Nature of the Instrument: Luciano Berio, Instrumental Thought and Schaefferian Theory // Luciano Berio. Nuove Prospettive / New Perspectives. Firenze: Olschki, 2012. P. 337—358. 9. Dempster S. Commentary on performance of Sequenza V for trombone solo. London: Universal Edition, 1968. 10. Griffiths P. Berio, Luciano. The Oxford Companion to Music / Ed. by A. Latham [Electronic resource] // URL: http://www.oxfordmusiconline.com ( accessed the 31st of October 2008). 11. Halfyard J. Foreword // Berio’s Sequenzas / Ed. by J.K. Halfyard. Aldershot: Ashgate Publishing Ltd, 2007. P. IX—XXII. 12. Halfyard J. Provoking Acts: The Theatre of Berio’s Sequenzas // Berio’s Sequenzas / Ed. by J.K. Halfyard. Aldershot: Ashgate Publishing Ltd, 2007. P. 100—116. 13. Stoianova I. Luciano Berio. Chemins en musique // La Revue Musicale, no 375— 376—377, 1985

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Tatiana Tsaregradskaya Sekventsiya No 5 dlya trombona: Berio i Grock / Sequenza V for Trombone: Berio and Grock