Abstract: The subject of the study is the research work of M.N. Zhirkov, which became the first monographic study of the musical culture of the Yakuts. The object of the study is the problems of musicology first posed by the author of this study. The article discusses such aspects as the difficult fate of the manuscript of M.N. Zhirkov's research, which was unpublished for a long time, and at the first publication was not published in its full form, in addition, the experience of a new reprint of this work in the 9th volume of M.N. Zhirkov's "Collected Works". Special attention is paid to those areas of his work that at that time were in the circle of the most pressing theoretical problems of musical culture of the peoples of the former Soviet Union.   The main conclusions of the study are the author's generalizations of the fundamental results of M.N. Zhirkov's work, which at the time of writing this work were advanced not only in terms of the level of development of Russian musicology, but now look quite modern in their relevance and fundamental nature. A special contribution of the author to the topic under development is the analysis of those parts of the study that were not published in the first publication of 1981. The novelty of the study lies in the fact that for the first time attention is drawn to the original full text of the original version of the "Yakut folk Music" by M.N.Zhirkov. The article summarizes the author's experience of the new edition of this unique work.

Keywords: musical folklore, Collected Works, edition, study, activity, musical culture, Yakut folk music, mutual influence, Mark Zhirkov, work

Abstract: Within the framework of this article, the authors analyze the cycle of engravings "Apocalypse" by Albrecht Durer in the context of the categories of space and time that have developed in the history and philosophy of culture of the Middle Ages and Renaissance. The metaphysical essence of time, defined by Christian eschatology, found its vivid embodiment in the activities of many figures of artistic culture of that era. Apocalyptic moods, which largely determine the consciousness of people of the Reformation era, were also inherent in A. Durer. The cycle of engravings "Apocalypse" in many ways should be considered as the quintessence of these moods and a reflection of the image of death that develops in this era. Space also acquires metaphysical characteristics, becomes heterogeneous, emotionally colored. The authors conclude that in the "Apocalypse" there is a mixed (and therefore very peculiar) interpretation of the category of time and space. It clearly shows the transition of the space-time representations of the Middle Ages to the ideas of time and space inherent in the New Time. It is also possible that we have before us one of the variants of the Renaissance mastery of the categories of time and space in the art of Europe. Attention is drawn to its openness and conscious demonstrativeness, because two artistic systems interact with each other on an equal footing; their stylistic potential and expressive means are used entirely, with full dedication and as a result, with maximum impressive force.

Keywords: Middle Ages, art, chiliasm, Reformation, image of death, time, space, Apocalypse, Durer, Renaissance

Abstract: The subject of the study is the human potential in the conditions of transformation of the socio-cultural space of the PRC. The modern anthropological crisis causes the need to search for new value foundations of human potential development and actualizes the study of cultural regional-country specifics of its implementation practices. The heterogeneous nature of the socio-cultural space of the PRC makes it necessary to know specific regional practices for developing human potential. China is forming an effective system for developing and attracting human potential within the country and in interaction with the outside world. The success of the PRC largely determines a new vision of the place and role of man in socio-cultural transformations. Human potential forms a dynamic, rapidly changing image of the socio-cultural environment in China, determining the speed and direction of internal and external modernization processes. The scientific novelty lies in the fact that in the PRC regionality acts as a cultural and spatial characteristic of activity, which in turn has a concrete expression - in practices. The philosophical and anthropological analysis of practices involves an appeal to a regionological approach that contributes to the identification of specifics at the level of regions – "internal" and "external". At the national level, the process of building human potential, which is an element of "soft power", occurs at all levels of the multilevel hierarchy of regional development management, starting from the level of large regions, ending with local-regional communities at the level of cities, towns, villages and individual enterprises.

Keywords: Human, Confucian values, modernization, Confucianism, morality, culture, human potential, China, practices, soft power